Iconic interiors: Superyacht designs that made waves

Although commissioned and launched as a private yacht for financier Sewel Avery in the 1930s, it was her rebirth as the US presidential yacht that made her name. She served five presidents – Truman, Eisenhower, Kennedy, Johnson and Nixon, making her the longest serving US Presidential yacht – but was best regarded for the time she served President Kennedy, who renamed her Honey Fitz after his grandfather.

The 28.35 metre yacht took interiors to a new level in the early 1960s when First Lady Jacqueline Kennedy helmed her refit (pictured). Mid-century furnishings and details were added to suit a family – and president – at sea, including a colour TV in the saloon. Her current refit, carried out by Moores Marine, upholds this mid-century styling.

Today, copious amounts of glazing is de rigueur, but it wasn’t always the way. A trailblazer in the arena of floor-to-ceiling, back-to-back windows, Azzurra II, designed by Gerhard Gilgenast, was truly pioneering. The 47.5 metre superyacht’s upper deck master suite has 21 large windows boasting panoramic views, while floor-to-ceiling windows in the upper saloon bring in huge amounts of light.

This gave a stunning spaciousness to the cream coloured, white leather interior, with a fittingly 1980s mirrored ceiling, which helped to open the space further. It was a breakthrough boat for interior designer Paola Smith and its high-glam interior style, with gold and lacquered furniture, defined styling for a decade.

A stark, militaristic exterior – trailblazing in itself – required a clean yet bold interior design. Marco Zanini created a Bauhaus-inspired interior for 70.7 metre Skat that called for simplicity, so its design eschewed clutter and superfluous elements.

Far from a traditional yacht interior, Skat favoured open spaces, fewer pieces of furniture and no heavy woods, though colourful furnishings and original Lichtenstein and Vasarely artworks meant it was far from dull.

Despite her name, Ice’s interior is far from cold. The concept was purity and environmentally friendly, and – while not an interior item – she was one of the first yachts to be fitted with Azipods. Terry Disdale’s interior for the 90.1 metre explorer yacht (ex-Air) is a study in modernism, which adheres to balance, clean lines and intentional décor choices.

The focus is on modernism and space over luxurious details and only a few different interior materials are used throughout the yacht. This sets the stage for yacht interiors to serve as a backdrop for the owner’s collection of modern art. Even the bathrooms have an artistic feel, the enormous baths were carved from limestone blocks.

Most yachts feature works of art, but then you have 53.8 metre Sea Force One, of which the entire interior seems to be an immersive art experience with modern works and light installations at every turn.

Even a decade after her launch, she still sets the bar in terms of art-heavy – and certainly unique – interiors. It might not be surprising that she also makes an ultimate party yacht, which was also part of the brief. This bold atmosphere, with lots of lighting and AV effects, heavily influenced future yachts such as Solandge.

The unconventional exterior of the ultra-iconic 119 metre Motor Yacht A belies the elegance of the interior, which designer Philippe Starck called “opulent”. While other yachts succeeded by blending interior and exterior spaces, Motor Yacht A clearly divides the two.

White furnishings play well off the open-plan design, which makes the limited interior living areas seem more abundant. With A it’s all about visual impact. If there had been no A, there would have been no Predator, no Yas and no Venus.

56 metre sailing yacht Panthalassa showcased a remarkable interior by Foster & Partners with flowing, highly architecturally inspired shapes and furnishings.

She also showcased an abundant use of glass and a showstopper of a central oval staircase that connects all three decks. Perhaps the biggest impact with this interior is that it opened up the builder to working with outside architects, such as the famed Norman Foster, who tugged the GA into new usefulness.

“Make it impressive” was Shahid Khan’s brief for his 95 metre Kismet. Impressive it certainly is, with a dramatic interior by Reymond Langton.

A massive staircase leads from the main saloon, replete with piano and opulent bar, to the upper deck, and the atrium is dominated by a magnificent art deco chandelier. Kismet is an icon for what is possible in an over-the-top superyacht interior and a layout based on being able to entertain large groups in style.

Yachting design newcomer CG Design was able to bring fresh eyes to 83.5 metre Savannah, creating an unusual layout with immense dimensions and an open main deck surrounded by sliding curved glass, leading to the pool on the same level.

In fact, everything on this boat is curved – except the plumb bow. She’s equally ground-breaking for her cosier spaces, such as the Nemo room, that connects guests to the sea, and for a spectacular catwalk connecting two saloons on her upper deck.

While some might still prefer heavy woods or overly luxurious details, the 77.25 metre explorer yacht's interior by Christian Liaigre represents the growing trend of contemporary modernism and support of the sport lover's lifestyle.

This "new modern" can be defined by subtle, refined and open areas – and the luxury of space. Curves and masculine, unadorned joinery are in abundance, and Cloudbreak also boasts a winter garden.